4TH JEAN-MARIE LONDEIX International Saxophone Competition, Thailand

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IV INTERNATIONAL JEAN-MARIE LONDEIX

SAXOPHONE COMPETITION

2014

__________________________

REGULATIONS 

CLICK HERE FOR ADDITIONAL INFORMATION

Article 1. The 4th International Jean-Marie LONDEIX Saxophone Competition will be held in Bangkok, Thailand, from July 6 to 19, 2014. Professor Dr Sugree CHORENSOOK, Dean of the College of Music, Mahidol University is the principal organizer of the competition.

IV International Jean-Marie Londeix Saxophone Competition, College of Music, Mahidol University 25/25 Phuttamonthon Sai 4 Salaya, Nakonpathom, Thailand 73170.

Article 2. The jury is composed of internationally renowned musicians and Chaired by Jean-Marie LONDEIX. There will be six voting members of the jury: five saxophonists of international reputation, one renowned composer, and possibly two observers without voting rights.

Article 3. This competition is open to advanced saxophonists of all nationalities, born after July 6, 1982.

Article 4. – Program

The First Eliminatory Round 

- Solo saxophone, maximum time: 20 minutes. Each competitor will present three works, two from list 1 and one from list 2: 

List 1

• Two of the 25 Capricen op. 153a (1929) by Sigfrid KARG-ELERT (1877-1933). Choice of saxophones at the discretion of the candidate based upon by the character of the Caprices chosen (Editions Zimmerman (www.zimmermann-frankfurt.de) ou Southern Music.

List 2

• One of « 9 Études » for solo saxophone by Christian LAUBA (Alphonse Leduc Music Publications; or
• Hard too Hard (tenor saxophone) by Christian LAUBA (Alphonse Leduc Music Publications); or
• Xyl–Balafon II - (alto saxophone) by Christian LAUBA (Alphonse Leduc Music Publications); or
• Kabuki (soprano saxophone) by Christian LAUBA (Alphonse Leduc Music Publications); or
• Arak (soprano saxophone) by Christian LAUBA (Resolute Music Publications); or
• Partyta (soprano saxophone) by Christian LAUBA (Resolute Music Publications) or
• Bumble Beebop (alto saxophone) by Christian LAUBA (Resolute Music Publications); or
• Bebop (alto saxophone) by Christian LAUBA (Resolute Music Publications); or
• Flamenco (alto saxophone) by Christian LAUBA (Édition Resolute Music Publications); or
• Steady Study On The Boogie (alto saxophone) by Christian LAUBA (Éditions Billaudot); or
• Oxyton (baritone saxophone) by Christophe HAVEL (Éditions. P.J. Tonger-Germany); or
• Strata (tenor saxophone) by Colin LABADIE (http://www.colinlabadie.com/strata.html); or
• Discoïdal (tenor saxophone) Thierry ALLA (Resolute Music Publications).

The Second Eliminatory Round 

with piano accompaniment (maximum time: 35 minutes) Each competitor will choose one piece from list 1 and one piece from list 2, two pieces in total. 

List 1

• Légende (version for alto saxophone and piano) by André CAPLET (Resolute Music Publications); or 
• Légende op. 66 (alto saxophone) by Florent SCHMITT (Édition Durand); or 
• Sonate (alto saxophone, with Finale by JML), by Paul HINDEMITH (Édition Schott); or
• Prélude, Cadence et Final (alto saxophone) by Alfred DESENCLOS (Édition Leduc); or
• Sonate (alto saxophone) by Edison DENISOV (Édition Leduc); or
• Chant Premier (tenor saxophone) by Marcel MIHALOVICI (Édition Heugel); or
• Music for Tenor Saxophone by William KARLINS (Southern). 

List 2

• L'incandescence de la bruine (soprano saxophone) by Bruno MONTOVANI (Édition Lemoine) or
• SPP (soprano saxophone) by Philippe LEROUX (Édition Billaudot); or
• Arabesque 3 (alto saxophone) by Ichiro NODAÏRA (Édition Lemoine); or
• Pénombre VI (alto saxophone) by Yoshihisa TAÏRA (Édition Transatlantiques); or
• Godba (alto saxophone) by Uros ROJKO (Édition Drustvo Slovenski; http://www.dss.si/); or
• Silence for a disturbed yell (baritone saxophone) by François ROSSÉ (Édition Paquelet) (paquelet@club-internet.fr).

Final Round with Orchestra

Maha Mantras – Concerto for saxophone (alto/soprano) and orchestra, by Narong PRANGCHAROEN (Theodore Presser: www.presser.com).

Article 5. –The first eliminatory round will be performed anonymously behind a screen; each candidate being identified by number only. Other rounds are not screened from the jury. 

Article 6. - The contestants will perform in an order fixed by drawing lots, which will take place on July 6, 2014 (candidates will be notified of the exact time and place). Candidates must be present to receive their performance time. Candidates should be present during the drawing of lots. The organizing committee reserves the right to refuse the participation of any candidate absent from the drawing. 

Article 7. – The choice of program selected by the candidate upon registration is final. No changes or modifications are permitted. 

Article 8. – For the second eliminatory round, the organizing committee of the competition will assign each candidate a pianist. The organizing committee will provide one scheduled rehearsal. Candidates are permitted to bring their own accompanist, but do so at their own expense. Before the final round, each candidate will have one rehearsal and one dress rehearsal with orchestra. 

Article 9. – Prizes

• 1st Grand Prizes: 5,000 Euros, two saxophones and two concerts with orchestra: Thailand Philharmonic (Bangkok) and Orchestre Philharmonique de Strasbourg in May 2015
• 2nd Prizes: 3,500 Euros, one saxophone
• 3rd Prizes: 2,000 Euros, one saxophone
• 4th & 5th Prizes: one saxophone

Special prizes may also be awarded.

Article 10. – During the eliminatory rounds, the jury maintains the right to stop any performance exceeding the time limit. The jury will submit their written vote at the end of each performance. Deliberation of the jury will take place after the final round. In the event of a tied vote, the president's vote will be the deciding vote. The decisions of the jury are final. The jury members' written comments may be given to eliminated competitors at the end the announced results of each round; the comments will be given to the finalists after the competition has concluded.

Article 11. – The jury reserves the right not to award all prizes. The 1st Prize cannot be divided. For other awards, in the event of a tie, the prizes will be shared.

Article 12. – Registration Conditions: All communication will be sent via email. All completed registration documents must be completed no later than January 31, 2014 ON THE OFFICIAL WEBSITE.

CLICK HERE FOR ADDITIONAL INFORMATION

2013 Fall Semester Round Up

Thank you! UVic saxophonists and pianists for a semester of fine solo performance and quartet formation. It is my sincerest and proudest pleasure to note there has been much in the way of positive achievement: skill development, maturation of artistry; and individuals gaining confidence.

I look forward to a fun-filled and engaging second semester. With eager anticipation, I look forward to your performances in the Class Recital in January.

See you, if not sooner, on January 6th, the first day of classes. May you enjoy a restful and restorative winter break. Merry Christmas and a very Happy New Year!

—W.

Performance Class Nov. 27th

Colin MacDonald Pocket Orchestra • “Fantasia”

Colin MacDonald Pocket Orchestra

“Fantasia”

Friday, November 1, 2013 at 8:00pm

Orpheum Annex

823 Seymour St., Vancouver, BC

Tickets: $35 adults/$10 students

from cmpo.brownpapertickets.com

Info: 604-728-4665 or colin@crypticmusic.ca

www.crypticmusic.ca

Vancouver saxophonist and composer Colin MacDonald presents a concert of original and exciting post-minimalist music for 12-piece chamber ensemble with The Colin MacDonald Pocket Orchestra. Ensemble pianist Anna Levy will be featured in the North American premiere of Fantaisie by Bulgarian composer Benzion Eliezer, for piano and symphonic jazz orchestra.

The memory of British composer Steve Martland will be celebrated in the energetic works Kick and Mr. Anderson’s Pavane, alongside fresh compositions by CMPO ensemble members Brad Muirhead, Stefan Hintersteininger, and Colin MacDonald, and a new arrangement of Michael Nyman’s Knowing the Ropes.

Blog Maintenance 2013

It seems that the blog suddenly decided to burst its seams. The layout requires some tweaking, and so over the next week or so new pages will appear and photos and text will be updated as time permits.

Thank you to the many (11,000+) visitors who regularly drop by and access the resources on this blog. Your patience during this annual maintenance cycle is much appreciated.

UVIC Faculty Concert: Quiet City, original score (Brellochs ed.)

UVic Faculty Chamber Music Recital

Saturday, October 19th, 8pm

Phillip T. Young Recital Hall

University of Victoria

This concert is likely the Canadian premiere of the original (theatrical) version edited by Dr. C. Brellochs.

Quiet City

by Aaron Copland

Featuring:

Trumpet: Louis Ranger

Clarinet/Bass Clarinet: Patricia Kostek

Alto Saxophone: Wendell Clanton

Piano: Arthur Rowe

More details HERE: UVIC School of Music website/events

Pep Talk • Excellence vs Mediocrity

Aids to Achievement and Success

1. Curiosity: an eagerness to explore ideas and enact events which engage the imagination and develop and apply skill(s).
2. Effective organization and discipline: hard work directed to specific goals in a timely manner results in additional positive opportunities. Success = skill meets opportunity.
3. Realistic goals—that stretch the imagination while meeting the immediate needs of the learner result in enhanced achievement and satisfying encounters.
4. Responsibility for learning: active engagement in one's studies that results in intellectual progress and artistic excellence.
5. Integrity or self respect: a confident identity based on truth and honesty which allows one to understand and respect others and achieve fairness, healthy relationships and engage others for mutual educational enrichment.
6. Self motivation: assessing one's educational situation and setting challenges for one's self; leadership. The ability to self motivate attracts likeminded individuals who value the opportunity to share ideas and experiences and the achievement of excellence.
7. Effective communication for collaboration: communicating in a mature and timely manner and applying the above principles.

We are what we repeatedly do. Excellence, then, is not an act, but a habit.—Aristotle 

Be a yardstick of quality. Some people aren't used to an environment where excellence is expected.—Steve Jobs

Desire is the key to motivation, but it's determination and commitment to an unrelenting pursuit of your goal - a commitment to excellence - that will enable you to attain the success you seek.—Mario Andretti

Obstacles to Learning and Achievement

1. Self entitlement: characterized by an over inflated sense of self importance, know-it-all-ism, closed mindedness. Often, such an attitude results in insubordination or a tendency to assume authority that does not belong to oneself, and the imposition of one's own illegitimate (and unproductive) wants over the legitimate (and productive) needs of others. The self entitled person is indifferent to the truth about his/her unproductive behaviour.
2. Inconsistent or lack of preparation: undermines progress; there is little or no foundation upon which to build.
3. Unrealistic expectations. One's goals do not reflect an honest assessment of one's current situation nor an understand of the necessary commitment needed to achieve the goals one sets
4. Unwillingness to accept direct criticism: a tendency whereby one attempts to exempt oneself from criticism and avoid confronting the truth about one's negative attitude which, because it is mediocre and defeating, typically issues forth in excuses and other unproductive behaviours, e.g., mediocre performance and low achievement. The person unwilling to accept criticism dismisses or confronts any advice as a threat.
5. Lack of confidence: may be due to a lack of objective awareness or confusion about one's strengths or weaknesses.
6. Absences: undermine one's access to information in a collaborative setting and often lead to disappointing others with whom one is supposed to be associated, e.g., in joint projects.

Mediocrity knows nothing higher than itself, but talent instantly recognizes genius.—Sir Arthur Conan Doyle

Excellence is a better teacher than mediocrity. The lessons of the ordinary are everywhere. Truly profound and original insights are to be found only in studying the exemplary.—Warren G. Bennis

2013 Ensemble Auditions Results

Despite a few obstacles, the excerpts were generally well understood and delivered promptly with accuracy.

Some individuals distinguished themselves by presenting exceptional performances.

There was, of course, evidence of fatigue, lack of preparation and nervousness.

Individual results will be addressed in lessons.

Wind Symphony

Semester One (Sept-Dec)

Alto1 - Maynard

Alto2 - Nair

Tenor - Smith

Baritone - Spelt

2013-09-05 Ranking

Lesson Schedule Sign Up Sheet

A sign up sheet for lessons and chamber music (quartets) is posted on the Saxophone Studio door.

Students are encouraged to check their timetable for both semesters before signing up for a lesson time in order to keep the same lesson time for both semesters.

Please note: ensemble audition protocol is now posted under the Ensemble Audition Material and Protocol tab.

Quartet soprano saxophonists, in consultation with peers, determine a weekly coaching time with the Instructor on Wednesday afternoons following master class.

Check the Master Class section of the blog (right column) and the Handbook to confirm your performance dates in master class.

Redshift Music Society • Trout Lake Concert

This past weekend yours truly and members of Vis à Vis Saxophone Quartet joined with Saxophilia based in Vancouver for the Da Lontano concert at Trout Lake.

DA LONTANO

With Saxophilia and Vis À Vis

Saturday August 17, 2013 at 7 PM

TROUT LAKE AT JOHN HENDRY PARK

FREE ADMISSION

In the serene setting of one of East Vancouver's most cherished green spaces, two saxophone quartets – Vancouver's own Saxophilia, and Victoria's Vis à Vis – will perform together for the first time in a unique, outdoor musical experience. Dispersed around Trout Lake as the sun sets, they will play new works by BC composers Daniel Brandes, Colin MacDonald, Iman Habibi, Jordan Nobles and a classic work by New York composer Daniel Goode. Bring the family, a picnic, and come enjoy a long summer twilight accompanied by music.

Performers were stationed approximately 100 feet apart at the edge of the lake and were given stop watches to coordinate events.

Go HERE for the Redshift website.

Redshift Facebook

Vis à Vis site

The Da Lontano concert program:

00:00 - 07:00: mins: grace by Jordan Nobles

07:30 - 22:30: Phrases of the Hermit Thrush by Daniel Goode

23:00 - 34:30: Anatra Laghetto by Colin MacDonald

35:00 - 45:00: imitations of melody by Daniel Brandes

45:30 - to end: Aqueous Ascent by Iman Habibi

Colin MacDonald (Douglas College)

Iman Habibi

Wendell with Dr. Julia Nolan (UBC)

Ensemble members with Iman & Jordan (R)

Gordon Clements (Victoria) & Wendell in rehearsal.

Coming soon! - Saxophone Handbook 2014

PDF copies of the latest Saxophone Handbook will be in the (e)mail no later than August 16th!

Contents include:

First Things: navigating the Saxophone Studio and the School

Assessment Values

Skill & Achievement

Repertoire for Study

Projects At A Glance

Master Class Schedule

Master Class Performance Rotation & Quartets

Grade Distribution

Tuning & Intonation

Lesson Structure

Chamber Music

Collaborative Performance

Equipment

Reference Materials

April Jury

Literacy & Criticism

Daily Practice Model

Musicianship 

Scales, Arpeggios

Articulations

Patterns

Foundations for Tuning & Intonation

CYMC 2013 Highlights

I'm just back from an exciting, fun-filled and productive two weeks with young musicians at the Comox Valley Youth Music Centre (CYMC) classical music summer camp in beautiful Courtenay, BC, at Mark Isfeld High School.

Mark Isfeld School has hosted the various CYMC camps—classical (including piano), music theatre and jazz—for several years. Thank you to the principal and music director for the use of the school!

Much music was made. The chamber music concerts featured every student in combinations totalling 30 ensembles, including the Baroque Strings, numerous string quartets, trumpet and oboe trios, piano trios, saxophone quartet and wind quintet. It was a privilege working with students of such superb skill, students who were highly motivated and who shared their vibrant personalities in their music.

It is a genuine pleasure witnessing the growth of young musicians, especially returning students who have steadily grown in confidence and skill over the past few yeats. It is a true delight to be part of someone's musical formation and to applaud their accomplishments. Students who were once beginners, and perhaps even a bit shy and tentative on their chosen instruments (all levels are welcome!), have emerged to become passionate music makers in just a few brief years... days!

Musical beginnings... CYMC also offers the Junior Strings program for elementary age children. This year, the ensemble the Junior Strings performed a composition featuring the cellist with an accompaniment provided by faculty members: Danny (congas); Chris (clave); Wendell (maracas); and Dave (bass).

Happily, many CYMC campers continue on in music, attending some of Canada's and th United State's finest institutions of higher learning. This year we welcome three current campers to the University of Victoria School of Music: Colin (French Horn); Matthew (Bassoon); and Jessica (Violin).

Days were jam packed with rehearsals, fun-filled gatherings around the ping pong table, sharing music videos and recordings, and are typically saturated with music-centred conversation. Students also had the opportunity to take in the local beaches. Days were long and throughly enjoyable; the weather was stunningly beautiful.

Visit cymc.ca for more details.

A typical day:

Week One

8am: breakfast.

8:30: individual warm-up.

9am to 11am: Wind Ensemble or String Orchestra

11am to Noon: Saxophone master class and group lessons; sectionals.

Noon to 1pm: Lunch & free time.

1pm: (Lessons and chamber music): Saxophone Quartet

2pm: Private & Group Lessons.

4pm: free time - individual and ensemble practice, recreation, guest classes.

5:30: dinner

6pm: free time and rehearsals.

Week Two

8am: breakfast.

8:30: individual warm-up.

9am to 11am: Saxophone Quartet

11am: break

Noon to 1pm: Lunch & free time.

1pm: (Lessons and chamber music): chamber music master class.

2pm: Private & Group Lessons.

4pm: free time - individual and ensemble practice, recreation, guest classes.

5:30: dinner

6pm: free time and additional rehearsals.

2013 Saxophone Music Highlights

Tony, Matt, Wendell & Harrison

Week One

Student Chamber Music Recital
Friday, July 5, 7:30pm
Mark Isfeld High School
Saxophone Quartet: Tony Yang, Matt Zimmerman, Wendell & Harrison Reay
Sonate by J.C. Bach

Wind Ensemble Concert
Directed by John White
Saturday, July 6, 7:30pm
Mark Isfeld High School

Week Two

Street Performances
10am to 11:45am
Friday, July 12
CYMC Saxophone Quartet: Tony Y., Matt Z., Connor Stewart, Harrison R.
Sid Williams Theatre Plaza
Courtenay Public Library

The Quartet celebrated afterwards with a visit to DQ made possible by a donation.

Student Chamber Music Recital

Friday, July 12

Mark Isfeld High School

Saxophone Quartet: Tony, Matt, Connor, Harrison
Chorus of the Villagers from Prince Igor by A. Borodin
May Song by F. Mendelssohn

Matt, Harrison, Connor & Tony

with Marko (vla), Gabrielle (vln2), Natawna (cello) & Tomo (vln1)

CYMC Saxo-Friends

Kaitlin (oboe), Matt (saxophone)
Silken (clarinet), Jeff (violin)
Mike (cello), Caroline (cello)

Keith MacLeod, Principal Clarinettist
Victoria Symphony Orchestra

front to back • Michelle, Matt (bassoon)
Allison (clarinet)
Kira (oboe), Lauren (cello)
Rhiannon (violin)

Grand Finale Concert

Accompanied by the CYMC Orchestra, two outstanding finalists gave impressive performances on the final concert: Tomo (co-concertmaster) presented the Bruch Concerto for Violin, 3rd movement; Ben presented the Haydn Trumpet Concerto. Both finalists received prolonged standing ovations for their exceptional performances.

The CYMC Orchestra, under the direction of Roger Cole (Principal Oboist, Vancouver Symphony and Director of the Vancouver Youth Orchestra), also presented Haydn's Symphony No. 104.

CYMC Summer Festival Faculty Recital

CYMC Classical Faculty

Chamber Music Recital

7:30pm

Tuesday, July 9th

Mark Isfeld School

Courtenay, BC.

$20.00

Program to include:

Légende
by
André Caplet

Conducted by Roger Cole

Oboe - Russell Bajer

Clarinet - Keith MacLeod

Alto Saxophone - Wendell Clanton

Bassoon - Katrina Russell

Violin - Nancy Dinovo

Viola - Kenji Fusé

Cello - Ariel Barnes

Bass - Dave Brown

7:30pm

Thursday, July 11th

Mark Isfeld School

Courtenay, BC.

Program to include:

Epitaphe de Jean Harlow, Op.164

by

Charles Koechlin

Flute - Paolo Bortolussi

Alto Saxophone - Wendell Clanton

Piano - Sarah Hagen
Bass - Dave Brown

Zikr by André Mestre • Contemporary Music Concert

Zikr, by André Mestre, winner of the CUMS/SMUC Competition, January 2013.

In coordination with the Congress of the Humanities and Social Sciences, the Canadian University Music Society annual meeting presents a concert featuring School of Music faculty and alumni. The program will include works by André Mestre, Robert Hansler, winners of the CUMS 2013 Student Composition Competition. Also on the program are works by Stefen Maier, Daniel Brandes, Tawnie Olson, and Jacques Hétu. Open to the public.

Canadian University Music Society

Société de musique des universités canadiennes

University of Victoria, BC: 8pm, June 7, 2013, P.T. Young Recital Hall.

Zikr Ensemble

Dr. Suzanne Snizek - flute

Wendell Clanton - soprano saxophone

Scott MacInnes - trombone

Evan Hesketh - viola

Pamela Highbaugh-Aloni - violoncello

Alex Olson - bass

Ajtony Csaba - conductor

Click here: Schedule of Events

Listen Live: click here or on the sidebar image

Senior Saxophone Quartet to perform with Peninsula Singers

The UVic senior saxophone quartet, called Orfeo, performs three shows with the Peninsula Singers.

April 26th, 27th and 28th at the Mary Winspear Centre, Sidney, B.C.

Repertoire to include works arranged for saxophone quartet and choir by Wendell Clanton, as well as standard repertoire for the quartet: Andante et Scherzo (E. Bozza) and La Muerte del Angel (A. Piazzolla).

Orfeo Saxophone Quartet

Soprano - Jacqueline Cable

Alto - Calistra Nair

Tenor - Julia Kimberley

Baritone - Brad Justason

Peninsula Singers website: click here

Alice Maundrell in Recital

Alice Maundrell, Music Education major, presents her fourth year recital: April 26, 2013, 6pm. PTY Recital Hall, UVic School of Music.

Live webcast

Program overview: Night Bird (Tanaka); Improvisation et Caprice (Bozza); Ballade (Tomasi) and other works.

Admission: free.

Quartet Clipper (Orfeo) • Donor's Concert

The senior quartet performed La Muerte del Angel by Astor Piazzolla for the UVic School of Music Donors Concert this past Sunday, March 3rd.

The quartet consisted of scholarship winner P. Spelt (3rd yr) along with his peers J. Cable (4th yr), C. Nair (3rd yr) and J. Kimberley (4th yr).

The senior quartet is set to perform with the Peninsula Singers in Sidney in April, 2013.

2013 Class Recital Pics

Congratulations! And, thank you students for a successful evening of respectable performances.

We will evaluate said performances in master class (general comments; comparative performance) and lessons (specifics).

Points to Ponder

1. planning: repertoire selection; effective organization for memorization
2. live on stage: concentration and distraction
3. musicality and musicianship: expression and technical precision
4. collaboration: stage presence and connection, rhythmic blend and balance
5. physiology and performance practice: tone, intonation, articulation, vibrato
6. biography: maturation as a musician

To our audience... .

A very special thanks to our audience members present in the PTY Hall whose gracious comments were and are much appreciated. It was good to see so many familiar faces and many new faces.

And, to our web audience - thank you for listening! Please feel free to leave your comments in the com-box below.

Left to Right: Smith, Spelt, Ho (pno), Green (pno), Hook (pno)
Newman (pno), Maundrell, Maynard, Kimberley, Cable, Nair and Nicholl

Click on images to enlarge.

2013 Class Recital Program Update • webcast

by clicking HERE

Program Information

SAXOPHONE CLASS RECITAL

Students from the Class of Mr. Wendell Clanton

8pm • Saturday, January 19th

Phillip T. Young Recital Hall

University of Victoria School of Music

All compositions are performed from memory.

Premier Soloby Jules Demersseman
Zachary Smith, tenor saxophone
Kyle Newman, piano

Second Movement from Fantazia
by Heitor Villa-Lobos
Jacqueline Cable, soprano saxophone
Monica Green, piano

Improvisation #3

by Ryo Noda
Julia Kimberley, alto saxophone

Sonatine Sportive

Movements I, II & III
by Alexander Tcherepnine
Seán Maynard, alto saxophone
Josh Herrett, piano

Diversion
by Bernhard Heiden
Austin Nicholl, alto saxophone
Alanna Ho, piano 

10 minute Intermission

to accommodate technical preparations

for Nightbird 

Nightbird
by Karen Tanaka
Alice Maundrell, alto saxophone

Nightbird will be performed in the dark.

Rhapsodie
by Claude Debussy
Paul Spelt, alto saxophone
Jamie Hook, piano

World Premiere • Omar Khayyam In Belfast - Six Postcards by Christopher Butterfield

UNIVERSITY OF VICTORIA

Faculty Chamber Music Series

Music For and In the Moment

A concert commemorating

the University of Victoria’s 50th Anniversary

Saturday, January 12, 2013

8:00 p.m. 

Phillip T. Young Recital Hall

MacLaurin Building

School of Music

University of Victoria

Adults: $17.50 / Students & seniors: $13.50

Omar Khayyam in Belfast - Six Postcards

(World Premiere)

by Christopher Butterfield

1. Belfast Wednesday August first, 1920
2. Tuesday August seventeenth, 1920
3. August twenty-third, 1920
4. August twenty-fifth, 1920
5. Belfast August twenty-eighth, 1920
6. Belfast Monday August thirtieth, 1920

Ann Elliott goldschmid, violin

Paula Kiffner, cello

Patricia Kostek, clarinet in Eb

Wendell Clanton, tenor saxophone

Louis Ranger, trumpet

Scott MacInnes, trombone

Eugene Dowling, tuba

Alexander Dunn, guitar

Michelle Mares, harmonium

Benjamin Butterfield, tenor

Faculty Recital • UVIC 50th Anniversary

Faculty Chamber Music Series concert Music For and In the Moment on Saturday, January 12, 8:00 p.m in the Phillip T. Young Recital Hall.

The concert features works composed and performed by John Celona, Dániel Péter Biró, Rudolf Komorous, and a world premiere by Christopher Butterfield.

Find the concert program HERE.

There will be a reception to celebrate directly following the concert in the music lobby.

Parking info and maps are available at www.uvic.ca/visitors/explore/maps

UVic Saxophone Class Recital 2013